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During my stay at Palmer Station I have gathered some natural objects to bring home with me (normally removing materials from Antarctica is prohibited but I have a permit from the NSF to take them as part of my project). I've packed a box full of my "scientific samples" and am shipping them back to California. Once I am back in my studio I will amplify these materials and experiment with playing them in various ways to see what kinds of musical voices they contain. Some of the objects will be played "as is" and some will be used as building materials for new instruments I will be constructing the months ahead.
Here's what I'm bringing back with me:
On my very first excursion out into Palmer's chaotic, rubble-strewn backyard I found a few scattered limpet shells amongst the rocks. I had wondered if I'd find any shells around Palmer and here were some already on my first day. What luck! Delighted, I grinned like a small child in a treasure hunt and greedily gathered up all the shells I could find, which was about 5 or 6. They clinked and jingled as I turned them over in my palms and wobbled them on a flat granite slab. "Ah ha," I thought, "and they are musical too!" I excitedly returned to the station to show off my find. Strangely folks did not seem all that impressed. I thought this a bit odd because I had walked all over the backyard and had only been able to find a few of the shells. Therefore, surely they must be a rare and glorious find.
Shortly thereafter I went on a boating excursion to DeLaca Island. As soon as I scrambled up onto the island's stony ramparts I was greeted with the motherlode of limpet shell collections: all over DeLaca's rocky ledges shells were piled up by the thousands. Suddenly I understood people's lack of enthusiam about limpets- they were everywhere.
Nonetheless, I remain excited about the musical potential of the limpets. Their shells produce clear, ringing pitches and I look forward to playing with them. By the way, I did look long and hard for other kinds of shells, but even though I know there are other shelled critters living in this part of the Southern Ocean I never found any on land. Maybe I need to take up Antarctic diving...
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I must admit that over the last few years I have become quite the rock collector. Often it's the color, an unusual pattern, polish or shape that attracts me. Other times a reflection of light or metallic glitter catches my eye. And sometimes it's the sound: the melodious clatter of a dislodged stone as it falls or a sonorous chiming underfoot as I walk across loose scree. I have gathered stones from two islands here in Antarctica, Torgersen and Breaker, both home to strikingly musical rocks.
Soon after my arrival on station Jon Brack (cargoperson and photographer- check out his photos of Palmer here.) told me about some pitched rocks he'd found on Breaker Island. He had discovered a stone wall with loose sections that could be rattled to make melodies. Of course I was intrigued and, eager to hear them myself, I planned a trip as soon as possible. Because the tie-up point on Breaker is often exposed to large ocean swells, it can be one of the more difficult islands to land on. It took a little while to find a day when visiting Breaker was possible but finally, one grey afternoon when it was threatening to rain, a small group of us made it out there.
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The other rocks I have are from Torgersen, site of several Adelie Penguin colonies and land of the musical penguin footsteps (see the January 23rd entry below). This island has the most interesting spiny-shaped rocky outcroppings. And it is full of wonderfully melodious stones.
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Scattered among the rocks of many of the islands I often found small white bones, usually the remains of Adelie Penguins. On Torgerson, and other islands where Adelies nest, remains are readily found on the outskirts of colonies. Here skuas have staked out territory and are on the lookout for weak chicks or injured adults that they can attack and eat.
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Being a bit squeamish about dead things I only collected bones that were already clean and mostly bleached by the sun. I have a lot of them, maybe close to 100 pieces. Once they arrive back in San Francisco I'll be building instruments out of them. Stay tuned in the coming months to see and hear what I construct.
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